Solli n\u00eb shqip Aida Meti<\/p>\n
\u201cVenecia ishte vet\u00eb thelbi i pasionit t\u00eb fshehura dhe t\u00eb heshtura, t\u00eb asketizmit dhe t\u00eb humbjes s\u00eb bashku. Wagner, i cili e kishte zgjedhur p\u00ebr t\u00eb kaluar pjes\u00ebn e fundit atje p\u00ebr jet\u00ebn e tij, ai i kishte shkruar kunatit t\u00eb tij Liszt disa muaj m\u00eb par\u00eb para se t’i jap\u00ebsh lamtumir\u00ebn bot\u00ebs: “Vdekja \u00ebsht\u00eb e bukur vet\u00ebm n\u00eb Venecia”. dhe Nietzsche, si dhe do t\u00eb thot\u00eb se n\u00ebse ai mendonte p\u00ebr t\u00eb fsheht\u00ebn ai mendoi p\u00ebr Prag\u00ebn dhe n\u00ebse ai mendoi p\u00ebr muzik\u00ebn ai mendoi p\u00ebr Venedikun, atij i p\u00eblqente ta p\u00ebrkufizonte at\u00eb si “seksi i lag\u00ebsht i Evrop\u00ebs”. Miazmat e tij sensual dhe i s\u00ebmur\u00eb kishte mahnitur Mahlerin, Stravinskin, Chopin dhe Thomas Mann. Nj\u00eb vit apo m\u00eb shum\u00eb q\u00eb kalova n\u00eb Venecia ishte si nj\u00eb parantez\u00eb p\u00ebr nj\u00eb s\u00ebmundje t\u00eb gjat\u00eb, ose si nj\u00eb arratisje e fsheht\u00eb me nj\u00eb t\u00eb dashur, n\u00eb mosvazhdim\u00ebsi totale me para dhe me pas, si kjo i shk\u00ebputur nga pjesa tjet\u00ebr q\u00eb \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb mbash mend me gjall\u00ebri dhe nuk dallohet me skica t\u00eb mprehta, si p.sh nuk mund ta dallosh nj\u00eb \u00ebnd\u00ebrr dhe ndonj\u00ebher\u00eb mendon se nuk \u00ebsht\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb nuk ka ndodhur kurr\u00eb. Personazhet q\u00eb takova atje ishin ekskluziv\u00eb dhe unik\u00eb; pothuajse artist\u00eb t\u00eb nj\u00eb cirku imagjinar.” <\/p>\n
Giuliano Adler – Mote dhe rreze – Kapitulli 10<\/p>\n","protected":false},"excerpt":{"rendered":"
Solli n\u00eb shqip Aida Meti \u201cVenecia ishte vet\u00eb thelbi i pasionit t\u00eb fshehura dhe t\u00eb heshtura, t\u00eb asketizmit dhe t\u00eb humbjes s\u00eb bashku. Wagner, i cili e kishte zgjedhur p\u00ebr t\u00eb kaluar pjes\u00ebn e fundit atje p\u00ebr jet\u00ebn e tij, ai i kishte shkruar kunatit t\u00eb tij Liszt disa muaj m\u00eb par\u00eb para se t’i […]<\/p>\n","protected":false},"author":2,"featured_media":35476,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-35475","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-te-tjera"},"_links":{"self":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/35475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/comments?post=35475"}],"version-history":[{"count":1,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/35475\/revisions"}],"predecessor-version":[{"id":35477,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/35475\/revisions\/35477"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/media\/35476"}],"wp:attachment":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/media?parent=35475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/categories?post=35475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/tags?post=35475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}