CARLOS FUENTES
\n(Meksiko, 1928 \u2013 2012)<\/p>\n
Xhelozia vret dashurin\u00eb, por jo d\u00ebshir\u00ebn. Ky \u00ebsht\u00eb nd\u00ebshkimi i v\u00ebrtet\u00eb i pasionit t\u00eb tradhtuar. Urren gruan q\u00eb prishi paktin e dashuris\u00eb, por vazhdon ta d\u00ebshirosh, sepse tradhtia e saj qe prova e vet\u00eb pasionit t\u00eb saj. Xhelozia tregon se nj\u00eb lidhje dashurie nuk mbaron me mosp\u00ebrfillje. E dashura q\u00eb na braktis duhet t\u00eb ket\u00eb zgjuarsin\u00eb p\u00ebr t\u00eb na fyer, posht\u00ebruar dhe sulmuar eg\u00ebrsisht q\u00eb t\u00eb mos e harrojm\u00eb e t\u00eb t\u00ebrhiqemi me durim, q\u00eb t\u00eb vazhdojm\u00eb ta lakmojm\u00eb n\u00eb emrin zvet\u00ebnues t\u00eb atij vullneti erotik q\u00eb \u00ebsht\u00eb xhelozia.
\nNorman Miler thot\u00eb se xhelozia \u00ebsht\u00eb galeria e portreteve, ku xhelozi \u00ebsht\u00eb administratori i vet\u00eb muzeut. Un\u00eb vler\u00ebsoj se xhelozia \u00ebsht\u00eb si nj\u00eb jet\u00eb brenda jet\u00ebs ton\u00eb. Mund t\u00eb marrim avionin e t\u00eb kthehemi n\u00eb qytetin ton\u00eb, apo n\u00eb nj\u00eb qytet t\u00eb huaj, mund t\u00eb th\u00ebrrasim miqt\u00eb e, ndonj\u00ebher\u00eb, t\u00eb falim armiqt\u00eb, po t\u00ebr\u00eb koh\u00ebn, jemi duke jetuar tjet\u00ebr jet\u00eb, q\u00eb, megjith\u00ebse brenda nesh, me ligjet e veta, \u00ebsht\u00eb e ve\u00e7ant\u00eb. Ajo jet\u00eb brenda nesh \u00ebsht\u00eb xhelozia e cila manifestohet fizikisht dhe, si\u00e7 thot\u00eb nj\u00eb shprehje meksikane, na i bie zorr\u00ebt n\u00eb fyt. Nj\u00eb val\u00eb e t\u00ebrbuar, e hidhur si shafran, q\u00eb eg\u00ebrsohet, ngrihet e ulet nga zemra tek zorr\u00ebt dhe nga zorr\u00ebt tek seksi i paralizuar; nj\u00eb seks, tashm\u00eb, i pavlefsh\u00ebm, i kthyer n\u00eb invalid lufte. I shkreti organ, t\u00eb vjen t\u2019i var\u00ebsh nj\u00eb medalje! E m\u00eb von\u00eb, nj\u00eb kuror\u00eb funebre. Por, kjo val\u00eb xhelozie nuk g\u00ebzon asgj\u00eb, dhe, p\u00ebr shum\u00eb koh\u00eb, nuk ndalet n\u00eb asnj\u00eb pjes\u00eb t\u00eb trupit. E p\u00ebrshkon trupin si nj\u00eb l\u00ebng i helm\u00ebt dhe objektivi i tij nuk \u00ebsht\u00eb ta shkat\u00ebrroj\u00eb, por ta mb\u00ebrthej\u00eb e ta shtyp\u00eb, n\u00eb m\u00ebnyr\u00eb q\u00eb nj\u00eb pjes\u00eb e atyre l\u00ebngjeve t\u00eb ngjiten deri n\u00eb kok\u00eb, t\u00eb mb\u00ebrthehen, ashtu t\u00eb gjelbra e t\u00eb forta si luspa gjarpri, n\u00eb gjuh\u00ebn ton\u00eb, n\u00eb shpirtin ton\u00eb, n\u00eb v\u00ebshtrimin ton\u00eb.
\nXhelozia na b\u00ebn t\u00eb ndihemi t\u00eb p\u00ebrz\u00ebn\u00eb nga jeta, sikur t\u00eb na kishte vdekur nj\u00eb qenie e dashur. Ve\u00e7se dhimbjen p\u00ebr nj\u00eb vdekje mund ta shfaqim. P\u00ebrkundrazi, dhimbja q\u00eb shkakton xhelozia duhet konsideruar e zez\u00eb dhe e helm\u00ebt, ndryshe nuk evitohet dhimbja dhe grotesku i saj. Nj\u00eb xhelozi e ekspozuar i b\u00ebn t\u00eb tjer\u00ebt t\u00eb qeshin me ne. \u00cbsht\u00eb si t\u00eb kthehesh n\u00eb mituri, n\u00eb at\u00eb mosh\u00eb fatkeqe, ku gjith\u00e7ka q\u00eb b\u00ebjm\u00eb publikisht – t\u00eb ecurit, t\u00eb folurit, t\u00eb shikuarit – mund t\u00eb jet\u00eb objekt gazi p\u00ebr tjetrin. Mituria dhe xhelozia na ndajn\u00eb nga jeta, na pengojn\u00eb ta jetojm\u00eb at\u00eb. <\/p>\n
P\u00ebrktheu nga origjinali Bajram Karabolli<\/p>\n","protected":false},"excerpt":{"rendered":"
CARLOS FUENTES (Meksiko, 1928 \u2013 2012) Xhelozia vret dashurin\u00eb, por jo d\u00ebshir\u00ebn. Ky \u00ebsht\u00eb nd\u00ebshkimi i v\u00ebrtet\u00eb i pasionit t\u00eb tradhtuar. Urren gruan q\u00eb prishi paktin e dashuris\u00eb, por vazhdon ta d\u00ebshirosh, sepse tradhtia e saj qe prova e vet\u00eb pasionit t\u00eb saj. Xhelozia tregon se nj\u00eb lidhje dashurie nuk mbaron me mosp\u00ebrfillje. E dashura […]<\/p>\n","protected":false},"author":2,"featured_media":34192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[120],"tags":[],"class_list":{"0":"post-34190","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-letersi"},"_links":{"self":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/34190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/comments?post=34190"}],"version-history":[{"count":1,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/34190\/revisions"}],"predecessor-version":[{"id":34193,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/34190\/revisions\/34193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/media\/34192"}],"wp:attachment":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/media?parent=34190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/categories?post=34190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/tags?post=34190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}