\u201cViza Amerikane\u201d e Shefqet Meko, \u00ebsht\u00eb nj\u00eb guid\u00eb letrare e pazakont\u00eb, e cila t\u00eb drejton n\u00eb nj\u00eb teat\u00ebr ngjarjesh dramatike, ku shihen fijet e ngat\u00ebrruara t\u00eb fatit me ato t\u00eb ligjit apo labirinthet e mureve t\u00eb moralit tangent me urat egoiste t\u00eb ekzistencializmit tipik ballkanik. Togfjal\u00ebshi \u201cviza amerikane\u201d, n\u00eb Shqip\u00ebri dhe p\u00ebr shqiptar\u00ebt, ka nj\u00eb gam\u00eb polisemantike, duke nisur me kuptimin baz\u00eb konsullor\u00eb, q\u00eb p\u00ebrfaq\u00ebson \u00e7do viz\u00eb e huaj, e cila na jepet si leje hyrje n\u00eb shtete t\u00eb tjera, e deri tek peshorja simbolike e statusit politik e shoq\u00ebror, kur gjykojm\u00eb persona t\u00eb njohur publik kur ato kan\u00eb apo nuk kan\u00eb nj\u00eb \u201cviz\u00eb amerikane\u201d. Ngjarjet dhe personazhet e k\u00ebsaj novele l\u00ebvizin mbi Atlantik, duke kaluar lirsh\u00ebm n\u00ebp\u00ebrmjet nj\u00eb ure stilistike plot me ngjyra dhe emocione. \u00cbsht\u00eb karakteristik\u00eb e proz\u00ebs s\u00eb re t\u00eb Shefqet Mekos lidhja e atdheut me Amerik\u00ebn dhe nd\u00ebrvar\u00ebsia deri n\u00eb detaje e profilit t\u00eb personazheve apo ngjarjeve, qoft\u00eb n\u00eb k\u00ebt\u00eb novel\u00eb, qoft\u00eb n\u00eb romanin \u201cSaga p\u00ebrtej Atlantikut\u201d, apo n\u00eb rr\u00ebfimet e m\u00ebhershme t\u00eb p\u00ebrmbledhura tek \u201cI till\u00eb jam\u201d. Ashtu si mjeshtrat e piktur\u00ebs, q\u00eb njihen prej s\u00eb largu p\u00ebr shkak t\u00eb ngjyrave e stilit unik, edhe autori i k\u00ebsaj novele, ka tashm\u00eb stilin e tij q\u00eb e dallon nga t\u00eb tjer\u00ebt dhe i siguron nj\u00eb vend nderi n\u00eb historin\u00eb e let\u00ebrsis\u00eb shqipe.
\nArtan Pojani \u00ebsht\u00eb personazhi kryesor i k\u00ebsaj historie t\u00eb pazakont\u00eb, ndaj t\u00eb cilit burokracia konsullore amerikane b\u00ebn nj\u00eb \u201cpadrejt\u00ebsi\u201d duke i refuzuar viz\u00ebn. Ky akt burokratik, p\u00ebr t\u00eb nuk \u00ebsht\u00eb thjesht\u00eb nj\u00eb leje konsullore e refuzuar p\u00ebr t\u00eb vajtur n\u00eb Amerik\u00eb, por mbi t\u00eb gjitha refuzimi i nj\u00eb karte morale, p\u00ebr t\u00eb cil\u00ebn ja vlen nisja e nj\u00eb beteje epike, deri n\u00eb rifitimin e \u201cdinjitetit t\u00eb humbur\u201d. Vjedhja e ardhm\u00ebris\u00eb s\u00eb tjetrit, manipulimit t\u00eb saj nga bab\u00ebzia e korrupsionit politik e shoq\u00ebror, kan\u00eb q\u00ebn\u00eb dhe mbeten ende plag\u00eb t\u00eb thella t\u00eb shoq\u00ebris\u00eb son\u00eb, duke shkaktuar edhe viktima t\u00eb pafajshme. Leximi i k\u00ebsaj novele, kam p\u00ebrshtypjen se do t\u00eb rikthej\u00eb n\u00eb kujtes\u00ebn e shum\u00eb njer\u00ebzve histori t\u00eb ngjashme, me pak apo m\u00eb shum\u00eb dramacitet. Fundi tragjik i disa prej personazheve, vjen si fshikullim nga autori p\u00ebr t\u00eb gjith\u00eb shoq\u00ebrin\u00eb ton\u00eb, e cila duhet t\u00eb dal\u00eb nga bataku egocentrist i tranzicionit dhe t\u00eb mos pajtohet kurr\u00eb me kriz\u00ebn e vlerave morale, pavar\u00ebsisht se ku shfaqen ato.<\/p>\n
Arben \u00c7ejku<\/p>\n","protected":false},"excerpt":{"rendered":"
\u201cViza Amerikane\u201d e Shefqet Meko, \u00ebsht\u00eb nj\u00eb guid\u00eb letrare e pazakont\u00eb, e cila t\u00eb drejton n\u00eb nj\u00eb teat\u00ebr ngjarjesh dramatike, ku shihen fijet e ngat\u00ebrruara t\u00eb fatit me ato t\u00eb ligjit apo labirinthet e mureve t\u00eb moralit tangent me urat egoiste t\u00eb ekzistencializmit tipik ballkanik. Togfjal\u00ebshi \u201cviza amerikane\u201d, n\u00eb Shqip\u00ebri dhe p\u00ebr shqiptar\u00ebt, ka nj\u00eb […]<\/p>\n","protected":false},"author":2,"featured_media":32466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[120],"tags":[],"class_list":{"0":"post-32465","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-letersi"},"_links":{"self":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/32465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/comments?post=32465"}],"version-history":[{"count":1,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/32465\/revisions"}],"predecessor-version":[{"id":32467,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/posts\/32465\/revisions\/32467"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/media\/32466"}],"wp:attachment":[{"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/media?parent=32465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/categories?post=32465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neutrale.al\/index.php\/wp-json\/wp\/v2\/tags?post=32465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}